Don't get me wrong: I almost had a lot of fun reading this one :)
Also cited, for anyone interested:
Creating Universes, Building Worlds and Resting on Weekends
From:NaNoWriMo Day 9: Productive | Inkygirl: Daily Diversions For Writers
Great starting point to learn to avoid the plague of infodumps:
Planetalyx Information Bureau - Of Infodumps and Exposition:
"Of Infodumps and Exposition"
My True and Vivid Writing class had a dialogue exercise this week, and that led some of them to a struggle with the practice of slipping exposition into their characters' conversation: a form of infodumping, in other words. They asked about ways to finesse this and I've quickly surfed up a few links to get them started:
http://www.fiction-writers-mentor.com/info-dump.html
http://www.writing-world.com/sf/infodump.shtml
http://research-writing-techniques.suite101.com/article.cfm/avoid_info_dumps_in_dialogue
http://www.therthdimension.org/FictionWriting/Info_Dump_Avoidance/info_dump_avoidance.htm
Has any of you fought this particular battle, and written anything about it? As always, links and tips are very much appreciated!
School is back in session, and I'm back doing the lunchtime writing thing. Since I'm again writing in English, so I thought I might as well send out some sort of signal to the unlimited depths of cyberspace, while warming up my mind and fingers to overcome the usual pitfalls of this barbaric language.

becoming increasingly painful to leave the novel’s universe for this own. Worse, the longer I stay away, the more difficult it is to once more immerse myself into it, a difficulty that manifests itself in needing to reorganize my thoughts about what happens next, or simply procrastinating the putting of actual words on (virtual paper). The process, I found more and more, is like a snake molting out of its old skin, or like those howlingly painful werewolf transformations from 50s horror flicks. Except, of course, that one is growing all those hair and fangs inside the brain. And that, of all things, is bound to hurt.
No outline at first, except the loose one in your head, draped casually around the idea.This is how Fire Season started: a couple of pages I wrote long ago, without thinking too much about it. Some scenes which kept bouncing around in my head. Nothing was very developed. More of a mood, a tone, the voice of Nino sounding in my head, very similar yet well differentiated from my own.
Once you've found the voice, write your first chapter or your first scene.
Outline the novel in your own way [...] The outline is you, talking to yourself on paperThis was the hardest part, the one that took the longest during the first NaNo days. Pieces of the story would emerge, like various colored vegetables in a minestrone, and I would arrange them in some tentative order. I found out along the way that outlines work only in 3rd person, while the novel is in 1st person. Ed is right: I'm talking to myself when outlining. I'm acting as Nino when writing.
Set yourself a definite goal each day. Tack it on the wallThis is easy. And NaNoWriMo works very well to institutionalize that process.



Today a man in a ski mask blocked a bridge over the 101, brandishing a gun. The swat team intervened, and the man was finally subdued and arrested, but not before two adjoining cities came to a halt in traffic and, presumably, business.
Tomorrow we are possibly staging one of the most important US Elections in many years. The entire world is on the edge of its seat.
With all this going on, how can one find time to write? Well, that’s what lunchtimes are for, if one is able to find one of those rare, disconnected places where people are forced to stop blabbering on their cells. I’ll talk more about my favorite place in future posts, but let me just say that the view is simply awesome, and in spite of the unordinary folly of this world, the first chapter of Fire Season is done!
http://www.redroom.com/articlestory/merry-christmas-mr-yaoThe story is a part of the Spec the Halls contest for speculative winter holiday-themed fiction, artwork, and poetry. Forguidelines and links to other entries go to
http://www.aswiebe.com/specthehalls.html
'Twas the night before NaNo, when all through the house
Not a creature was stirring, not even the mouse;
But the keyboard was ready and hooked up with care,
In hopes that the Muse soon would be there;
The writers were nestled all snug in their beds,
While visions of pages danced in their heads;
When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The neighbor with large breasts was giving a show
By topless meandering in sight of people below,
When, what to my laboring brain should appear,
if not the warmth, the light of the greatest idea.
With a little jolt, so lively and quick,
I knew in a moment "this must be it!"
More rapid than eagles the words just came,
And I filled those pages that just had my name.
On, Calliope! on Melpomene! on, Thalia and Erato!
Another night like this, and my novel is finito!
Dead to the world, exiled 6,000 miles from home, and living as a pedicab rider Nino still has a talent for getting in deep trouble. When the house he is renting goes up in flames, Nino finds himself plunged into the lesser known, deadly underworld of beautiful Santa Teresa, California: drugs, gang wars, conspiracies, and a forty year old secret that screams to be revealed and to burn anyone holding it.Fire Season, a bicycle thriller, is the first installment of the Two Dead Guys©. series.